Imagine the most
detestable literary fiction that comes to mind: cheap pornography in
lumpy editions; subgenres brimming with sex and violence that clone
film and television hits; bestsellers written in a mold to adapt to
market demands. The most hateful book you’ve ever read. Well, for
many literary critics, 50 Shades of Grey is a step above the
fanfiction, a variant that has been described as derivative,
narcissistic, with horrible artistic results, childish, consumerist
and, of course, unoriginal. What is true about it all? Are fanfiction
(50 Shades of Grey among them) an unmitigated horror? Is there gold
in the manure?
First let’s clarify
the terms: a fanfiction is a literary piece written by a fan and that
starts from a previous work, official and canonical, in any medium
(film, book, television series, video game, comic) to build a new
fiction. To do so, it recycles the characters, stages or any other
element. The possible variants, as we shall see, are almost infinite,
so let us immerse ourselves in this parallel underworld of impossible
pairings and senseless sequels and try to find something logical
about it. These are 7 keys to understanding the art of fanfiction:
1. It all began
with the Bible
It can be said that
Matthew, Mark, Luke and John were non-professional writers
(fishermen, tax collectors, shop makers, among other professions) who
wrote different versions about the life of someone whose life had
come to them, essentially by transmission from others. Each one
brought his own style, his own ideas to the narration. Therefore, the
four biblical evangelists first authors of fanfiction.
It is interesting to
contemplate how the diffuse author and the reuse of other people’s
creation was common even before the industrialization of literature
that came with the invention of the printing press. With the oral
transmission of stories, it was normal to tell over and over again
the same legends, the same morals and the same mythologies, but
changing the differential elements of each tribe, race or epoch. Come
on, we don’t call it fanfiction because we don’t get great, but there
were the mimbres of collective narratives and the recycling of other
people’s stories.
Along with the
printing press came also the basis of copyright and intellectual
property, and there we can fix a difference between a canonical
story, with a defined author, and a variant made with commercial,
parodic or playful intentions. An example that you will have studied
even in high school is that of Quixote by Alonso Fernández de
Avellaneda (a possible pseudonym, as his digital heirs would do four
hundred years later), an unofficial sequel to Cervantes’ great work
that enraged the one-armed historian so much that he accounted for it
(in literary terms) in the second part of his book.
2. The First
Regurgitated Myths
But the first case
of fanfiction created is with Jane Austen, whose fans took advantage
of the decline in printing and reproduction costs at the beginning of
the twentieth century to make fruit salad with many of his works.
They called themselves “Janeítas”, and one of the most
outstanding works of this trend, Old
Friends and New Fancies, by Sybil Brinton, was
published commercially in 1913. We don’t think Austen would have
cared much, considering that some of his works, such as Pride and
Prejudice, are little less than a regurgitation of more cultured
readings, but it would be good to know what he would think if his
work continued to generate dozens of fanfiction works a year, most of
a romanticism unleashed along the same lines and almost all with a
very high pornographic content. One of its last variants, not exactly
fanfiction but that starts from a good part of the philosophy of the
movement, is Pride and Prejudice and Zombies and its sequels, work of
Seth Grahame-Smith.
The other classic
example is Sherlock Holmes. The popularity of Arthur Conan Doyle’s
creation led to the creation of detective fan clubs at the beginning
of the last century, which generated products such as the Baker
Street Journal, a fanzine that discussed the original cases of the
detective and brought to the canon new stories written by fans (some
of them frankly illustrious). In many of them we find another of the
key features of fanfiction: the completely voluntary and joyful
confusion between genuine and apocryphal storytelling. Possibly,
Holmes is the literary character that has historically received more
variations in its bosom, possibly because of the hyperpopulation of
Victorian mythology: the times he has faced Jack the Ripper, for
example, in a multitude of stories and films such as Murder by
Decree, are countless. There were countless examples of those types
of stories that weren’t always published (though in this age you’ll
find tons
of self-published Sherlock Holmes stories floating
around)
3. But… Who is
Mary Sue?
The fanfiction
samples known as Mary Sue are those in which the author of the story
(there is a male version of Mary Sue, called Marty Stu, but it is
less iconic) appears as one more character, needless to say that
often with physical or psychological characteristics greatly enhanced
with respect to their real model. The classic case of this trend
dates back to 1973: Paula Smith wrote the parodic story A Trekkies
Tale in her fanzine Menagerie. In it, Lieutenant Mary Sue was a
15-year-old teenager who revolutionized the adult crew of the Star
Trek universe. With her she satirized the tendency that Smith had
detected in the literary fandom of the mythical series of science
fiction: that of the characters that were identified with
plasmaizations sickly idealized of the own authors. Even today, this
infantiloid vanity is one of the problems that the critics of
fanfiction find in the genre.
4. Slash is not
only the guitarist of Guns ‘N Roses
The best-known
sub-genre of fanfiction is the slash, in which the male protagonists
of a film, novel or television series fall in love, with a degree of
sexual explicitness at the author’s discretion. The denomination
slash comes from there: the custom of using a bar (“/”,
slash in English), to separate in the title the names of the
forbidden lovers. Some examples: Holmes/Watson (Sherlock Holmes
universe) or Harry/Ron (Harry Potter), to say two of the most
frequent.
The first slash
novel on record is Jennifer Guttridge’s mythical The Ring of Soshern,
written in 1968 and with an argument that perfectly sums up why this
type of literature is so fascinating: Spock and Kirk, Star Trek
protagonists, are trapped on an isolated planet. Spock enters the
state of Pon Far, a fever that plagues Vulcans and kills them if they
don’t have sex with the first one they catch. Captain Kirk, of
course, lets himself be done to save his friend.
Of course, after
forced sex there will come other more consensual encounters in which
the purest love will sprout. With the passage of time, slash has
become synonymous with any type of pornographic fanfiction.
5. The Harry
Potter Phenomenon
Harry Potter is
above and beyond in the fanfiction world because of the unusual
tolerance that the creator of the original franchise, JK Rowling, has
always shown towards unofficial fictions inspired by his work. The
nuts of this tolerance were tightened to the max with the publication
of James Potter and the Hall of Elders Crossing, written by George
Lippert as a continuation of Harry’s adventures through his son
James. The only conditions that Rowling has always put on fanfiction
works inspired by Harry Potter are that they have no commercial
intent, no hate messages or pornography. The first of these
conditions was clearly trampled on by Lippert, who published the book
on paper, despite threats of demand from Rowling. Rowling finally
gave up and gave permission for the publication of the book, as the
fanfiction community supported its existence.
With over millions
of Harry Potter fanfictions across sites like Pottermore,
AO3,
Fanfiction.net,
Commaful
and others, the franchise is indisputably one of the most popular and
active community. But Rowling is far from heeding his relatively
understandable request that his characters not be sullied by low
passions: Harry Potter’s slash is one of the most abundant
pornographic subgenres on the fanfiction scene. Essentially, the
chances of any Harry Potter character having slept with any Harry
Potter character are very high, regardless of age or sex (a popular
and quirky example: Remus Lupin/Sirius Black). It should be noted
that many of these stories feature underage characters, but this
feral nature is an intrinsic part of the fanfiction phenomenon.
6. Spain: Famous
Mondo
It is not surprising
that in a country that renders such an exorbitant cult to celebrities
walking around the house as ours have arisen multitude of fanfiction
works centered on celebrities of adolescent cult. In Wattpad,
the nerve center of much of the fanfiction produced in our language,
you can find endearing fictions halfway between the virginal slash
and the most classic Mary Sue. Some of them were shelled by the
scholars of theróspido Los Hermanos Podcast, in episodes 4 (where
the glorious phrase was put on the table “But how can this be?”
present in an erotic teen fanfic about Justin Bieber that its author
has already regretted leaving puberty behind) and 59 (in which
Wattpad throws fanfics about Omarion,
One Direction and youtubers several) of his podcast. The undisputed
dark side of fanfiction.
7. But… What
about 50 Shades of Grey?
Along with those of
Harry Potter, the stories based on the Twilight universe make up one
of the most popular successes in fanfiction literature: more than 100
novels and almost 200,000 stories that pose alternative universes to
those imagined by Stephanie Meyer in the original novels.
The original title
of E.L. James’ series of novels was Master of the Universe and was
written under the pseudonym Snowqueen’s Icedragon and belonged to
another variant of fanfiction called alternative universes (AUs). In
this case, the story transferred Bella to Seattle. James turned
Edward, the protagonists of Twilight, into an attractive millionaire
and the Bella into an innocent journalist, and eliminated the
vampiric component that characterizes the original fictions. The
result, a drawer slash like so many others, which manipulates the
usual ingredients in sub-genre fiction (occasional underground
misogyny, eroticism with sadomasochistic components – slash
narratives abound with stories of sexual possessions, soft rapes and
other forms of consensual or non-consensual domination), to the point
where The Guardian went so far as to describe 50 Shades of Grey, in
reference to the hackneyed nature of its elements, as “a book
with sixty thousand authors”.
Where E.L. James did
hit the nail on the head, and in that she was perhaps more clever
than the rest of the 60,000 co-authors, was in the distribution after
the writing process: through Amazon, in epub format,
ready to be downloaded and read on Kindle, instead of lost in an
immense repository of fictions of similar characteristics. Even
without drafting any query letters or having to pitch and publishers,
the story took off. Fictions that, of course, are confused with the
fanfiction generated by Grey’s own 50 Shades, often pornographic and
with arguments that intersect with other franchises (including
Twilight, which has given rise to at least confusing stories).
Word of mouth, in
any case, worked extraordinarily well for the books, which soon
caught the attention of the media for their extraordinary diffusion
among the female population and their eminently viral success. It
wasn’t long before Vintage Books bought the rights and released a
physical version in April 2012. In just a few months, Amazon UK
announced that 50 Shades of Grey had already sold more copies on its
website than the entire Harry Potter series, for a total of 60
million copies worldwide. Attempts to replicate the success abound,
some of them even starting from the same source as 50 Shades of Grey:
the Twilight fanfiction.
Meanwhile, the controversy over the very nature of the book persists: in 2012, Time magazine put E.L. James on its list of the world’s most influential people, while the book was almost unanimously criticized for the low quality of its prose, for many a sign of its origins. Its very nature has been analyzed to the extreme, as in the case of The Huffington Post critic Soraya Chemaly, who stated that Grey’s 50 shadows success was “remarkable not for her transgressive sex but for how women are using technology to subvert gender shame, exploring explicit sexual content privately and using ebook readers (…). Open consumption, sharing and discussing these contents by women is a feminist success. On the other hand, the rest of the fanfiction authors are too happy with the success: one of the fanfiction.net administrators stated that “we’re worried that once people start making money from the fanfiction, the authors and publishers will pay attention to us and say ‘Uh, uh, it’s over? copyright infringement’. A tricky subject, that of copyright and its repercussions, which can give a lot to talk about and discuss in the future. Also in that, there is no denying, 50 Shades of Grey has been a pioneer despite its cringey .